The Duration Read online

  The Duration

  A Novel

  Dave Fromm

  Copyright © 2016 by Dave Fromm.

  All rights reserved.

  This book, or parts thereof, may not be reproduced in any form without permission from the publisher; exceptions are made for brief excerpts used in published reviews.

  Published by

  TYRUS BOOKS

  an imprint of F+W Media, Inc.

  10151 Carver Road, Suite 200

  Blue Ash, OH 45242. U.S.A.

  www.tyrusbooks.com

  Hardcover ISBN 10: 1-4405-9464-3

  Hardcover ISBN 13: 978-1-4405-9464-9

  Paperback ISBN 10: 1-4405-9463-5

  Paperback ISBN 13: 978-1-4405-9463-2

  eISBN 10: 1-4405-9465-1

  eISBN 13: 978-1-4405-9465-6

  Library of Congress Cataloging-in-Publication Data

  Fromm, Dave, author.

  The Duration / Dave Fromm.

  Blue Ash, OH: Tyrus Books, [2016]

  LCCN 2015043825 (print) | LCCN 2015046242 (ebook) | ISBN 9781440594649 (hc) | ISBN 1440594643 (hc) | ISBN 9781440594632 (pb) | ISBN 1440594635 (pb) | ISBN 9781440594656 (ebook) | ISBN 1440594651 (ebook)

  BISAC: FICTION / Literary.

  LCC PS3606.R633 D87 2016 (print) | LCC PS3606.R633 (ebook) | DDC 813/.6--dc23

  LC record available at http://lccn.loc.gov/2015043825

  This is a work of fiction. Names, characters, corporations, institutions, organizations, events, or locales in this novel are either the product of the author's imagination or, if real, used fictitiously. The resemblance of any character to actual persons (living or dead) is entirely coincidental.

  Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book and F+W Media, Inc. was aware of a trademark claim, the designations have been printed with initial capital letters.

  Cover design by Erin Alexander.

  Cover images © Adrian Kollar/Olga Miltsova/123RF.

  For Katie K.

  "Can't be too picky in the deep."

  Bob Schneider, "The Effect"

  Author’s Note

  This is a work of fiction. While it uses real and perhaps recognizable places as settings, any similarities to actual people or events are entirely coincidental—except, that is, for the book’s central secret, which is in fact based on an old Berkshire County mystery. Don’t ask me to tell you what I think about it, though. It’s a mystery, and you shouldn’t believe anybody who claims to know the truth.

  Contents

  Title Page

  Copyright page

  Dedication

  Author’s Note

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  12

  13

  14

  15

  16

  17

  18

  19

  20

  21

  22

  23

  24

  25

  26

  27

  28

  29

  30

  31

  32

  33

  34

  35

  36

  37

  38

  39

  40

  41

  42

  43

  44

  45

  46

  47

  48

  49

  50

  51

  52

  53

  54

  55

  56

  57

  58

  59

  60

  61

  62

  63

  64

  65

  66

  67

  68

  69

  70

  71

  72

  73

  74

  Acknowledgements

  The Legend of Columbus

  About the Author

  “You promised,” Kelly said. “Two years.”

  We were sitting in that coffeehouse on the corner of Columbus and Clarendon. It was a freezing winter Sunday. Dressed in travel section attire—sweats and sneaks, bed-headed. I was stubbly. Kelly’s long hair was pulled back from her forehead by a sort of wide headband, then pulled again, farther back, into a severe ponytail. Wrangle that shit, kiddo. Show it who’s boss. The coffeehouse, an anti-Starbucks catering to the same South End crowd willing to spend $5 on a latte, was the sort of place I liked to mock while still frequenting. Their pumpkin muffins were obscene—each one a boulder of orange dough, big as your head, that left oil stains soaking through the to-go bag; sometimes they dropped a few green pumpkinseeds on the top to pretend it was a salad—and I’d sworn on several occasions, usually just after finishing one, to never eat another. Course, I was about to bust into one right then.

  I frowned and broke a soft little wedge off the muffin boulder to buy time. Two years? I don’t think I would have agreed to that. Two years was a blink. You’d have to suffer something a lot longer before you gave up on it.

  But Kelly was resolute.

  “Right up on that corner,” she said, pointing out toward Dartmouth without looking. “You said we’d give it two years here and if it wasn’t working we’d reconsider.”

  She was probably paraphrasing, but probably right all the same. Up there, where Dartmouth hit Columbus, where the kegs rolled into the service entrance at the back of Cleary’s and they had live music every Thursday and you could buy a mammoth cheeseburger at the takeaway place next door, I’d said a lot of things. Kelly wasn’t the cheeseburger type, but we’d stumbled home together more than a few times, hand-in-hand, flush with the inebriants of one’s upper twenties, one’s first semi-domestic arrangement, plus, most likely, plenty of other inebriants, and I was probably thinking about putting the moves on her when we got back to the apartment, three narrow flights up, stumbling and crawling and laughing, hopefully, and maybe I’d even start the moves before we gained the landing, depending on what sort of attire she was sporting and how hard it was to find my keys, and anyway I could imagine at moments like that saying whatever it was I thought she wanted to hear. And I’d probably even meant it at the time.

  They called me from the counter. Two lattes for Pete. Pete Johansson, Pete So Handsome, your mother’s answered prayer. Best days behind me, but barely. I got the lattes and doused them with sugar, or doused mine at least, grateful for a reprieve.

  I knew, vaguely, that she was unhappy. But, shit, we’re all vaguely unhappy. That’s just the human condition, right?

  Something about not loving Boston. As if that were possible. What’s not to love? She’d run her diagnostics at bedtime, softening the invective with toothpaste. These people. Six months out of the year, she’d say, everyone pops their parkas out like that South Park character who was always dying, and the other six months they walk around with big chips on pale, freckled shoulders. You can even see the chips under the parkas, she’d say. I loved watching her brush her teeth. The rich ones look like horses, she’d say, and the poor ones look like donuts. They have two interpersonal settings—resentment and overfamiliarity. They hate you until they love you and then they won’t stop.

  Something like that.

  I came back to the table, sugar-fortified, sat down.

  “I don’t think I said two years,” I said, pausing, watching her eyes flatten. I looked away quickly, before she could turn them to me. This line of att
ack had to be rethought. “And even if I did, look, promises are like sunk costs, right? That one, whether or not I made it, I made it two years ago. That’s forever ago. We’ve invested here. We have equity now.”

  I was thinking of our jobs, our lease, the people we nodded to on the street who were little more than strangers we kept seeing over and over again, but who might, someday, if none of us ever moved on, become acquaintances. We need to operate from the present, the now. The market value of our accounts.

  I was winging it, obviously, as I didn’t truly understand economics. Or relationships, for that matter.

  What was the market value of our accounts, anyway? I looked out the high front windows, onto the desolate and unlovely stretch of Columbus near the backside of the train station, a long block from Dartmouth. Brick nonprofits and parking garages, the wind curling up from the underground highway to spin leaves and trash and umbrellas into a vortex. Not glam. Our apartment was just a starter place, a rental, a foothold on the city. But we’d move on. Move on up, hopefully, like the Jeffersons did, to Newton or Back Bay or, maybe, who knew? Maybe Beacon Hill. Though those weren’t really Jeffersons neighborhoods, this being stodgy Brahmin Boston after all. Whatever. We’d move around. Find new old coffeehouses, new Irish bars at which to cheer the Sox and boo the Yanks. Withstand new Januaries. Meet a whole new set of strangers.

  But that sort of incremental stuff wasn’t what Kelly was talking about. She was talking, again, about heading west. Like, way west. The West.

  I reached for the muffin.

  “If you don’t stop eating that,” she said, “and look at me . . . ”

  She left it blank and I tried to evaluate how much mileage I could get out of some sort of faux resistance to ultimatums, something defensible about, like, not negotiating with terrorists. I looked at her, but I kept eating the muffin. A man can be pushed only so far.

  “What do you want?” I asked. “You want to just up and start over somewhere?”

  That didn’t seem rational to me. That seemed like, I don’t know, something a certain kind of irrational person might propose with their certain kind of hysterical brain. You know what kind of person I mean? I mean, what about hard work? What about the nobility of suffering? Plus, it was winter, midwinter even, and it’s never a good idea to undertake anything big, even big decisions, in winter. Tends to cut out nearly a third of the year, but still. Ask Napoleon.

  I looked at Kelly. I thought she’d be crying, but she wasn’t. I always thought she’d be crying when she wasn’t.

  She looked back at me. I was a big child in a small chair, swaddled in sweatshirt, crumbs on my cheeks. She glanced around the coffeehouse. An ominous glance, like something was coming.

  Just then my cell phone lit up. A number I didn’t recognize, which was good. Might be important.

  “Who’d be calling on a Sunday morning?” I asked, in a tone that I hoped sounded both apologetic and frustrated, like all I really wanted to do was to sit there with Kelly and get to the bottom of our relationship.

  She wasn’t buying it.

  I pushed out of the door onto Clarendon and put my hood up against the chill. The Escalade, my getaway truck, was parked down around a distant corner. Through the window I could see Kelly sitting at our table, back to the window, the foam on her latte pristine, the curve in her ponytail embittered. Then she got up, took her coffee, and came through the door, but instead of walking over to me, she turned the other way. I half raised my hands in a what-gives sort of way, but she put her sunglasses on and didn’t look over. Somewhere it occurred to me that I was being a dick, that she might not shake it off.

  Best not to dwell on it now, I guess.

  “Johansson,” I said into the phone, because it sounded badass, at least to me. I watched Kelly head down the block. There was a pause and I adjusted my hood to shield the wind. “Hello?”

  Another pause, and then one word, an endearment.

  “Guy.”

  You ever, maybe at your mom’s house, come across a box of stuff from when you were a kid, and there’s a little shirt or something inside, and you pick it up and see your name written in the collar? And it just kills you right away?

  I came into the county from the east, picking up Route 20 just before it crossed the river and began to climb into the land of the Mahican. I rolled through the outer hill-towns of Russell and Chester and Huntington, one-horse towns, hamlets, through cuts in the ridges and along the icy banks of brooks. Cricks and creeks. Bogs and brooks. Dales and dells and glens and gullies. Too many sticks to shake a stick at. Five dead trees for every ten live ones, most denuded by winter, the pines and spruce left to shiver on the mountainsides like bristles on a boar. Two hours west of Boston, I drove past a plaster deer and a wooden Viking and a 7-foot beaver and an 8-foot bear. What people will do to amuse themselves in the sticks, I guess. Campgrounds. Shack bars. Tires in yards. The road a knotty umbilicus, bending in and out, up and down and around.

  Route 20 was the best. You could come in on the Pike, which sagged like a belt on the belly of the Commonwealth, but you’d only save yourself twenty minutes and any sight worth seeing. The Pike was for tourists and long-haulers. It didn’t do defiles or climbs or hairpins, just blasted its way through the ridge, through walls of ragged rock where icicles grew blue and busty in the south side shade while the sunny north side stayed bare. Kelly loved those icicles. She was from Los Angeles, where winter was a theory. “Look at that,” she’d say, every time we passed through the ridge. “It’s like the one side of the rock can’t let go of the other.” Easy, I’d say. It’s just the way the sun hits.

  It was two weeks since the call, early March, just about the finest time to be in New England if you didn’t like color or pleasantries. On this day, a nearly balmy Friday with temps approaching 40°F, fog hung on the crests and I wasn’t in my best mood. That’s why I was waxing poetic. In my best mood, I might stop in Chester, buy an antler or a jar of blackcurrant jam or some shit like that, just to feel like a man of the people, like I was representing. I might swing through the Gare Outlets and smell the leather at Coach, try on some waders at L.L. Bean. Be an engine of commerce. Pull the Escalade up to the curb outside the Batter’s Box in Gare and nod through the windows to the reigning men’s fast pitch softball champs. If I was in my best mood, Kelly would be with me, so we’d drive through town and I’d tell my usual stories about the basketball court that used to be next to the pizza place, how I’d balled there every summer evening from ages twelve to eighteen with Jimmer and Unsie and Chick because we couldn’t get a good run in Gable, the four of us taking on all comers, all day, day into night, rising to the rock like wolves to the moon. And how whenever I drove by now and saw the dour daycare and haphazard plasticky playground which these days occupied what had once been the scene of some of the great contests of my youth I’d shed a single tear, like the Native American chief in those old Keep America Beautiful commercials. And Kelly would roll her eyes in her usual way, which, if I was in my best mood, I would interpret as condescension undergirded by a deep fondness—even a sense of near-spousal privilege—at bearing witness, again and again, to such florid nostalgia. We were engaged in the domestic equivalent of a John Cougar Mellencamp song. “Those same old stories,” she’d be saying with that look. “I’ll be hearing those same old stories over and over again for the rest of my life.”

  But Kelly was gone, as it happened, back to California, apparently not as interested in hearing those same old stories over and over again as I’d thought. Her departure, once decided, had been executed with ruthless efficiency—one carry-on, one box shipped from the FedEx down the block. One-way flight purchased with miles, a vague sense that she’d deal with the rest of her stuff later. Or not. Maybe she was making a clean break. Anyway, cab to Logan. I offered to drive her, but she said no, I’m good. Something furious and resolved about her on the sidewalk, waiting, a look like she was done with the Escalade, and whatever it symbolized. Wasn’t clear to me
, at that point, if she was totally serious. It probably should have been. I waited with her, my arms crossed, dressed for work, trying to affect both emotional availability and harried impatience: I am a busy man, but I am here for you when you want to work this out. I prepared to say something devastating, something stoic but vulnerable. To control the engagement. Stay, or some shit like that. Don’t give up on us. But Kelly had her act together, and before I could say anything she’d kissed me hard on the cheek and gotten into the cab, and then she was gone, heading east toward the Ted Williams Tunnel, and I was stuck, freezing on the sidewalk, like damn. That was last Thursday, and I hadn’t heard from her since.

  So, not my best mood.

  I passed the Dream Away, tucked up in a Becket hollow, and hit the cobbled streets of Gare. My mom liked to say there are only three families in the whole of Gare and that each rugged citizen is connected to one of them by some tendril of DNA. I curled through town and up past the lake and the brothel and the resorts at Blantyre and Cranwell. The brothel hadn’t been a brothel when I was a kid, least as far as I knew, and Cranwell had been an abandoned prep school. Now they both offered massages, with significantly different price points. I passed the back side of Ventfort Hall, a massive brick chateau abandoned until 1994. We used to walk to middle school past Ventfort but stopped after somebody left a mannequin leaning against an upstairs window—I hope it was a mannequin—either way it scared the shit out of us at 8:15 A.M. Bypassed downtown Gable because why not, stayed on 20 toward the Knots, took in the glory of the Knotsford-Gable Road, the Luau Hale, the Price Chopper, the abandoned mini-golf.

  Abandoned mini-golfs. Man, they’re the worst. Almost the worst. Like just a notch above abandoned movie theaters on the depressive scale. Both of them can set you back for hours. You can be feeling pretty good about stuff, and then walk past an abandoned movie theater, its marquee empty or, worse, lettered with noncinema announcements, like “Senior Bingo” or “Rug Sale,” both of which seemed sort of redundant, right? Like, of course it’s senior bingo. You could just say “Bingo,” and the seniors would show up. Or just “Rugs,” because what else are you going to be doing with a bunch of rugs? But anyway, you see these sorts of things on an old movie marquee and you just know that somewhere back inside, back past the padlocked doors and the booth with the little half-oval ticket window and the lobby that once smelled like popcorn but now smells like seniors and rugs, there is a big amphitheater where people used to go and dream and watch Star Wars back-to-back-to-back, a three-peat, a trifecta my dad and I pulled off one great Saturday a long time ago, and now that dreamy space is herniated by this street-level infection of bad rugs and bad Nike knock-offs and bad coffee and bad real estate. Abandoned movie theaters suck. The Knots used to have three of them.